Bas Jan Ader : I'm searching ...

Exactly 50 years after his disappearance at sea, the Hamburger Kunsthalle is mounting a retrospective exhibition of the fascinating work of Dutch artist Bas Jan Ader (1942–1975). Ader is regarded as a seminal figure for subsequent generations of artists—a so-called "artists’ artist". Legendary among insiders, his 16mm films, slide installations, photographs and videos, along with never-before- seen early works and documentary material can now be discovered by a wider audience in an exceptional and extensive retrospective.

Bas Jan Ader’s oeuvre can be described as at once melancholy and absurd, emotional and conceptual, simple yet complex. He made a profession out of the theme of falling as a symbol of failure, exploring this subject in diverse photographic series and his famous 16mm films. The moment of loss of control became for him a conscious decision. Failure was merely an inevitable life experience. Ader continually sought to localise the human being existentially, setting out in quest of the hidden and the miraculous, all the while accepting the risk of bodily harm and ultimately his life.

In 1963, Bas Jan Ader moved to Los Angeles, where he and his wife, Mary Sue, established a second home. As part of an artistic trilogy entitled "In search of the miraculous", Ader set off in 1975, at the age of 33, in a small sailing boat from Cape Cod, Massachusetts, on a solo crossing of the Atlantic, heading for Falmouth in Great Britain. He would never reach his destination. Months later, the boat was found off the Irish coast, but Ader remained missing. With his disappearance at sea, the artist’s yearning, romantic search for the miraculous became a parable of human vulnerability and failure.